 | |  | |  | |  | |  | |  |
| ~The Goddess of Lost Lake~ 1918 |
| ~26-15 Louise Glaum~ |
| ~26-18 Louise Glaum & Lawson Butt~ |
| ~26-22 Lawson Butt & Louise Glaum~ |
| ~Frank Lanning & Louise Glaum~ |
| ~26-28 Louise Glaum~ |
| ~Plot Synopsis~ |
At The Grand, Today and Saturday, Louise Glaum in "The Goddess Of Lost Lake
For a picture of wild life, Indians and prospectors, Louise Glaum as a quarter-breed Indian, and quite a
wardrobe of pretty and up-to-date clothes in "The Goddess of Lost Lake," her latest play, showing at the
Grand theater today and Saturday.
The secret of how an Indian girl appears in ultra-modern clothes in this picture is that she attends an
eastern college and there she gets familiar with another life from which she is accustomed. When she
returns to her father's log cabin in the mountains she has a wardrobe of everything from evening
creations to the blanket, buckskin and beads of a typical squaw, with something extra fetching in the line
of divided riding skirts between these two extremes of apparel.
The girl's white woman's airs delight her father, overawe his Indian housekeeper, and are met with the
unspoken disapproval of Eagle, her Indian uncle. But when the hero, an Englishman, appears on the
scene, and for shear mischief she meets him in the riggings of a squaw, with a squaw's typical stolidity,
there begins all sorts of fun, which lightens the big, serious drama and the suspense that obtains
throughout the picture.
"The Goddess of Lost Lake," was produced at the Brunton studios in Los Angeles under the direction of
Wallace Worsley, the direction of all of Miss Glaum's pictures on the Hodkinson program.~
~Hamilton Evening Journal, Friday, March 28, 1919~
For a picture of wild life, Indians and prospectors, Louise Glaum as a quarter-breed Indian, and quite a
wardrobe of pretty and up-to-date clothes in "The Goddess of Lost Lake," her latest play, showing at the
Grand theater today and Saturday.
The secret of how an Indian girl appears in ultra-modern clothes in this picture is that she attends an
eastern college and there she gets familiar with another life from which she is accustomed. When she
returns to her father's log cabin in the mountains she has a wardrobe of everything from evening
creations to the blanket, buckskin and beads of a typical squaw, with something extra fetching in the line
of divided riding skirts between these two extremes of apparel.
The girl's white woman's airs delight her father, overawe his Indian housekeeper, and are met with the
unspoken disapproval of Eagle, her Indian uncle. But when the hero, an Englishman, appears on the
scene, and for shear mischief she meets him in the riggings of a squaw, with a squaw's typical stolidity,
there begins all sorts of fun, which lightens the big, serious drama and the suspense that obtains
throughout the picture.
"The Goddess of Lost Lake," was produced at the Brunton studios in Los Angeles under the direction of
Wallace Worsley, the direction of all of Miss Glaum's pictures on the Hodkinson program.~
~Hamilton Evening Journal, Friday, March 28, 1919~
| Directed by: Wallace Worsley Written by: Jack Cunningham - scenario Based on the story by M. Van de Water |
| ~Cast~ Louise Glaum ... Mary Thorne Lawson Butt ... Mark Hamilton (as W. Lawson Butt) Hayward Mack ... Chester Martin Joseph J. Dowling ... Marshall Thorne Frank Lanning ... Eagle Monte Blue ... (uncredited) |
| ~Remaining Credits~ Produced by: Louise Glaum Organization & Robert Brunton Productions Released by: W.W. Hodkinson Cinematography by: L. Guy Wilky Length: 5 Reels Runtime: 50 minutes Released: October 14, 1918 Filmed in Big Bear Lake, Big Bear Valley, San Bernardino National Forest, California, USA & Pinecrest Resort, San Bernardino Mountains, California, USA |
 | |  | |  | |  | |  |
| ~Louise Glaum~ |
| ~Louise Glaum~ |
| ~Louise Glaum~ |
| ~Louise Glaum~ |
SilentHollywood.com Discussion Group on Facebook Internet Movie Database Allmovie.com Turner Classic Movies American Film Institute |
